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from Hollywood Reporter

"Apart from Sheetal Sharma’s eye-catching costumes, tech credits work together to create a highly atmospheric film. DP Nick Cooke’s diffuse lighting offers the unsettling colors of the polluted dawn mist in New Delhi, or the mirrored white hall of glass, a sort of corridor of power, inside the Ahuja family complex."

Deborah Young

 

from Screen Daily

"There is notable work from cinematographer Nick Cooke as he captures misty morning scenes, contrasting rich and poor or glides through the courses of a vast and deadly wedding banquet."

Allan Hunter